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The Necronomicon
The Ancient Book of the Dead
This book I believe to be an
accurate description of the Spritual Beings, Aliens and Evil Spirits, that
our ancient Sumerian Ancestors worshipped and believed in, albeit
very strange and lurid, most of the facts are referenced to another more
formal site, which I have linked on the fifth part of Necronomicon.
Strange Realities........
Written in Ancient Times.....circa
738 A.D., by an Arab who roamed the sacred places....as a nomad....and
this is his story.....
This was the book that most
influenced Lovecraft and Aleister Crowley, in all thier Majikal
Works. This book has been a mystery through the ages, and was kept
secret.....for many years. It has influenced many other writers and
majikal Adventurers.
The story also puts another light on
Our Sumerian Ancestors, as described in the 12th Planet, by Zacheria
Sitchen. I will cover a section on this in my other articles.
Our Alien Ancestors had some very strange powers indeed. Many of
these powers correspond with ley lines, and sigils.....and higher "mind"
powers....and Time Travel.

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Testimony of Abdul-Al Hazred
T his is the
testimony of all that I have seen, and all that I have learned, in
those years that I have possesed the Three Seals of MASSHU. I have
seen One Thousand and-One moons, and surely this is enough for the
span of a mans life, though it is said the Prophets lived much
longer.
I am weak, and ill, and bear great tired- ness and exaustion, and
a sigh hangs in my breast like a dark lantern, I am old.
The wolves carry thier name in thier midnight speeches, and that
quiet, subtle Voice is
summoning me from afar. And a voice much closer will shout into my
ear with unholy impatience. The weight of my soul will decide its
final resting place.

Before the time, I must put
down here all that I can concerning the horrors that stalk Without,
and which lie in wait at the door of every man, for this is the
ancient arcana that has been handed down of old, but which has been
forgotten by all but a few men, the worshippers of the Ancient Ones
(may their names be blotted out!)
And if I do not finish this task, take what is here and discover
the rest, for time is short and mankind does not know or understand
the evil that awaits it, from every side, from every open Gate, from
every broken barrier, from every mindless acolyte at the altars of
madness.

For this is the Book of the Dead, the Book of the Black Earth,
that I have writ down at the peril of my life, exactly as I recieved
it, on the planes of IGIGI, the cruel celestial spirits from beyond
the Wanderers of the Wastes.

Let all who read this book be warned thereby that the habitation
of men are seen and surveyed by that Ancient Race of gods and demons
from a time before time, and that they seek revenge for that
forgotten battle that took place somewhere in the Cosmos and rent
the Worlds in the days before the creation of Man, when the Elder
Gods walked the Spaces, the race of MARDUK, as he is known to the
Chaldeans, and of ENKI our master, the Lord of Magicians.

Know, then, that I have trod all the Zones of the Gods, and also
the places of Azonei, and have descended into the foul places of
Death and Eternal Thirst, which may be reached through the Gate of
GANZIR, which was built in UR in the days before Babylonian was.
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Know, too, that I have spoken with all manner of spirit and daemon,
whose names are no longer known in the societies of Man, or were never
known. And the seals of these are writ herein ; yet others I must take
with me when I leave you. ANU have mercy on my soul!

I have seen the Unknown Lands, that no map has ever charted. I have
lived in the deserts and the wastelands, and spoken with demons and the
souls of slaughtered men, and of women who have died in childbirth,
victims of the she-fiend LAMMASHTA.

I have traveled beneath the Seas, in search of the Palace of Our
Master, and found the stone monuments of vanquished civilizations, and de-
ciphered the writings of some of these; while still others remain
mysteries to any man who lives. And these civilizations were destroyed
because of the knowledge contained in this book.
I have traveled among the stars, and trembled before the gods. I have
at last found the formula by which I passed the gate of ARZIR, and passed
into the forbidden realms of the foul IGIGI.

I have raised demons, and the dead.
I have summoned the ghosts of my ancestors to real and visible
appearance on the tops of temples built to reach the stars, and built to
touch the nethermost cavities of HADES. I have wrestled with the Black
Magician, AZAG-THOTH, in vain, and fled to the Earth by calling upon
INANNA and her brother MARDUK, Lord of the double-headed AXE.

I have raised armies against the Lands of the East, by summoning the
hordes of fiends I have made subject unto me, and so doing found NGAA,
(Ancient word for Naaga, the Human Serpent in Sumerian Culture), the
god of the heathens, who breathes flame and roars like a thousand
thunders.

I have found fear.

I have found the Gate that leads to the Outside, by which the Ancient
Ones, who ever seek the entrance to our world, keep eternal watch. I have
smelled the vapors of that Ancient One, Queen of the Outside, whose name
is writ in the MAGAN text, the testament of some dead civilization whose
priests, seeking power, swing open the dread, evil Gate for an hour past
the time and were consumed.

I came to possess this knowledge through circumstances quite peculiar,
while still the unlettered son of a shepherd in what is called Mesopotamia
by the Greeks.

Levitating Rocks
When I was only a youth, traveling alone in the mountains to the East,
called MASSHU by the people who live there, I came upon a gray rock carved
with three strange symbols. It stood as high as a man, and as wide around
as a bull. It was firmly in the ground, and I could not move it. Thinking
no more of the carvings, save that they might be the work of a king to
mark some Ancient victory over an enemy, I built a fire at its foot to
protect me from the from the wolves that wander in that region and went to
sleep, for it was night and I was far from my village, being Bet Durrabia.
Bieng about three hours from dawn, in the nineteenth of Shabatu, I was
awakened by the howl of a dog, or perhaps a wolf, uncommonly loud and
close at hand. The fire had died to its embers, and these red, glowing
coals cast a faint, dancing shadow across the stone monument with the
three carvings. I began to make haste to build another fire when, at once,
the gray rock began to rise slowly into the air, as if it were a dove. I
could not move or speak for the fear that seized upon my spine and wrapped
cold fingers around my skull. The Dik of Azug-bel-ya was no stranger it
seemed to melt into my hands!
Presently, I heard a voice, softly, some distance away and a more
practical fear, that the possibility of robbers took hold of me and I
rolled behind weeds, trembling. Another voice joined the first, and soon
several men in black robes of thieves came together over the place where I
was, surrounding the floating rock, of which they did not exhibit in the
least fright.
I could see clearly now that the three carvings on the stone monument
were glowing, a flame red color, as through the rock were on fire. The
figures were murmuring together in prayer or invocation, of which only a
few words could be heard, and these in some unknown tongue; though, ANU
have mercy on my soul!, these rituals are not unknown to me any longer.

The figures, whose faces I could not see or recognize, began to make
wild passes in the air with knives that glinted cold and sharp in the
mountain night.
From beneath the floating rock, out of the very ground where it had
sat, came rising the tail of a serpent. This serpent was surely larger
than any I had ever seen. The thinnest section thereof was fully that of
the arms of two men, and as it rose from the earth it was followed by
another, although the end of the first was not seen as it seemed to reach
down into the very Pit itself.

These were followed by still more, and the ground began to tremble
under the pressure of so many of these enormous arms. The chanting of the
priests, for I knew them now to be some the servants of some hidden Power,
became much louder and nearly hysterical.
IA! IA! ZI AZAG!
IA!IA! ZI AZKAK!
IA! IA! KUTULU ZI KUR!
IA!
The ground where I was hiding became wet with some substance, being
slightly downhill from the scene I was witnessing. I touched the wetness
and found it to be blood. In horror I screamed and gave my presence away
to the priests. They turned toward me, and I saw with loathing that they
had cut their chests with the daggers, they had used to raise the stone,
for some mystical purpose I could not then divine; although I now know
that blood is the very food of these spirits, which is why the field after
the battles of war glows with an unnatural light, the manifestation of the
spirits feeding thereon.
May ANU protect us all!
My scream had the effect of casting their ritual into chaos and
disorder. I raced through the mountain path by which I had come, and the
priests came running after me, although some seemed to stay behind,
perhaps to finish the Rites. However, as I ran wildly down the slopes in
the cold night, my heart gave rise in my chest and my head growing hot,
the sound of splitting rocks and thunder came from behind me and shook the
very ground I ran on. In fright and haste I fell to the earth.
Rising, I turned to face whatever attacker had come nearest me, though
I was unarmed. To my surprise, what I saw was no priest of ancient horror,
no necromancer of that forbidden Art, but black robes fallen upon the
grass and weeds, with no seeming presence of life or bodies beneath them.
I walked cautiously to the first and, picking up a long twig, lifted
the robe from the tangle of weeds and thorns. All that remained of the
priest was a pool of slime, like green oil, and the smell of a body lain
long in the sun to rot. Such a stench nearly overpowered me, but I was
resolute to find the others, to see if the same fortune had also befallen
them.

Walking back up the slope that I had so fearfully run down only moments
ago, I came across yet another of the black priests, in identical
condition to the first. I kept walking, passing more of the robes as I
went, not venturing to overturn them any longer. Then, I finally came upon
the gray stone monument that had risen unnaturally into the air at the
command of the priests. It was now upon the ground once more, but the
carvings still glowed with supernatural light.
The serpents, or what I had then thought of as serpents, had
disappeared. But in the dead embers of the fire, now cold and black, was a
shining metal plate. I picked it up and saw that it was also carved, as
the stone, but very intricately, after a fashion I could not understand.
It did not bear the same markings as the stone, but I had the feeling I
could almost read the characters, but could not, as though I once knew the
tongue but had since long forgotten. My head began to ache as though a
devil was pounding my skull, when a shaft of moonlight hit the metal
amulet, for I know now what it was, and a voice entered my head and told
me the secrets of the scene I had witnessed in one word:

KUTULU.
In that moment, as though whispered fiercely into my ear, I understood.
These were the signs carved upon the gray stone, that was the gate to
the Outside:

Of the three symbols carved, the first is the Sign of our Race from
beyond the Stars, and is called ARRA in the tongue of the Scribe who
taught it to me, an emissary of the Elder Ones. In the tongue of the
eldest city of Babylon, it was UR. It is the Sigil of the Covenant of the
Elder Gods, and when they see it, they who gave it to us, they will not
forget us. They have sworn!
Spirit of the Skies, Remember!
The second sign is the Elder Sign, and is the Key whereby the Powers of
the Elder Gods may be summoned, when used with the proper words and
shapes. It has a Name, and is called AGGA.
The third sign is the Sigil of the Watcher. It is called BANDAR. The
Watcher is a Race sent by the Elder Ones. It keeps vigil while one sleeps
provided the appropriate rituals and sacrifice has been performed; else,
if called, it will turn upon you.
These seals, to be effective, must be graven on stone and set in the
ground.
Or, set upon the altar of offerings.
Or, carried to the Rock of Invocations.
Or, engraved upon the metal of ones God or Goddess and hung about the
neck, but hidden from the view of the profane. Of these three, the ARRA
and the AGGA may be used separately, that is to say singly, and alone.
The BANDAR however, must never be used alone, but with one or both of
the others, for the Watcher needs to be reminded of the Covenant he has
sworn with the Elder Gods and our Race, else it will turn upon thee and
slay thee and ravage thy town, until succor is to be had from the Elder
Gods by the tears of thy people and the wailing of thy women.
KAKAMMU!

The fire amulet that I retrieved from the ashes of the fire, and which
caught the light of the moon, is a potent seal against whatever may come
in the Gate from the Outside for, seeing it, they will retreat from thee
SAVE ONLY IF IT CATCH THE LIGHT OF THE MOON UPON ITS SURFACE for, in the
dark days of the moon, or in clouds, there can be little protection
against the fiends from the Ancient Land should they break the barrier, or
be let in by their servants upon the face of the Earth.
In such a case, no recourse is to be had until the light of the moon
shines upon the Earth, for the moon is the Eldest among the Zonei, and is
the starry symbol of our pact. NANNA, Father of the Gods, Remember!

Wherefore, the amulet must be engraved upon pure silver in the full
light of the moon, that the moon shine upon it at its working, and the
essence of the moon be drawn down and captured therein. And the proper
incantations must be performed, and the prescribed rituals as given forth
in this Book. And the amulet must NEVER be exposed to the light of the
Sun, for SHAMMASH called UDU, in his jealousy, will rob the seal of its
power.
I n such case, it must be
bathed in waters of camphor, and the incantations and ritual performed
once again. But verily, it was better to engrave another.
These secrets I give to thee at the pain of my life, never to be
revealed to the profane, or the banished, or the Worshippers of the
Ancient Serpent, but to keep within thine own heart, always silent upon
these things.

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